Jerome Meckier (University of Kentucky):
“Repetition and Reversal: Patterns for Social Change in Pickwick Papers”

Joel J. Brattin (Worcester Polytechnic Institute):
“Three Revolutions: Alternate Routes to Social Change in Bleak House”

Robert Heaman (Wilkes University):
“Dickens, Art, and Reform: Change in Dickens’s View of Social Reform”

David Paroissien (University of Massachusetts, Amherst):
“Parrots, Birds of Prey and Snorting Cattle: Dickens's Whig Agenda”

Bert Hornback (Saarland University):
“The World Changing Dickens, Dickens Changing the World”

Doris Feldmann (University of Erlangen):
The Cultural Politics of Dickens’s Hard Times”

Chris Louttit (Radboud Universiteit Nijmegen):
Dickens on the Victorian Stage: Two East End Adaptations of Bleak House”

Christopher Pittard (University of Portsmouth):
“Conjuring Dickens: Agents of Change and Secular

Chris Louttit (Radboud Universiteit Nijmegen):
Dickens on the Victorian Stage: Two East End Adaptations of Bleak House”

Robert Tracy (University of California, Berkeley):
“The Frozen Deep: Gad's Hill, Summer 1857

Malcolm Andrews (University of Kent at Canterbury):
“The Passing of the Pickwick Moment

Matthias Bauer (University of Tübingen):
“Stylistic Transformations and Dickens’s Changing World”

Norbert Lennartz (University of Würzburg):
“Radical Dickens: Dickens and the Tradition of Romantic Radicalism”

Herbert Foltinek (University of Vienna):
“Modern Characters in the Late Novels of Charles Dickens”

Michael Hollington (University of New South Wales, Sydney,
and Université de Toulouse-Le Mirail):
“Dickens, Sala and the London Arcades”

Nancy Metz (Virginia Tech):
“‘The Tremendous Potency of the Small’: Dickens, the Individual and
Social Change in a Post-America, Post-Catastrophist Age”